As an artist, Jablonowski asks questions about the potential of communication in contemporary visual culture. Through sculpture and film, he explores the way language is established and developed and then reproduced technically in relation to political and historical discourse. For Jablonowski, ‘History has been produced and constructed by sign-constructions, which means that historical events, structures and processes are inseparably connected to their representation.’

For COMMA at Bloomberg SPACE, Jablonowski will transform the front gallery through a series of specially commissioned sculptures and film. The sculptures made from plaster, paper, and metal use a range of principles to establish form and positioning. They are surrounded by a web of moving images consisting of 4 sequences referring to semiotic history. The sculptures keep the viewer at a distance so they are unable to decipher the display’s immediate meaning. The repetitive and unsustainable promise of a valid direction of communication is expressed in the work which questions the contemporary understanding of sign systems; making us aware, not only of the transience of visual language, but also of the display systems at work.


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